The Artful Home: Evan B. Harris
Lady Bird ... Tea Party
I've always had a thing for folklore and fairy tales -- and no, not
the kind where orphaned princesses trill melodically while they toil,
aided by cute little rodents.
I mean the darker, unsanitized, not-fit-for-bedtime-stories kind. The
pre-Disney versions, where the wicked stepsisters' comeuppance
involves having their eyes plucked out by vengeful birds. The kind
where stupid little piggies are actually devoured, with sinful relish,
by seductively sinister wolves. The kind where young girls wandering
alone in the woods discover within themselves a brute savagery to
rival their predators'. (Have you ever read any Angela Carter? Oh, but
you must.)
So it was with great anticipation that I visited the Anatomy of
Folklore show at Oakland's consistently impressive Johansson Projects
this weekend.
Though it's a joint show with San Francisco sculptor Lawrence
LaBianca, I was there to see the paintings of Portland, Oregon-based
Evan B. Harris. (Is it just me, or is Portland a hotbed of interesting
art these days?)
White Whale and Shells
In Harris' imagined world, young girls (and a few boys) reside in the
bellies of seemingly innocuous woodland creatures, wolves' breath
warms innocently sleeping children, tree branches and roots spring
from various body parts, whales swallow mermaids whole, and songbirds
nest in women's hair (sweet enough, except that the hair is attached
to what appears to be a disembodied head).
As his bio says, "Born among the briars and brambles in backwoods of
Medford, Oregon, Evan Benjamin Harris ... dove into the recesses of
his own imagination and embraced the fables and folklore that
fascinated him. Now older, things haven't changed much. The stories he
created as a child are still present in his paintings."
Take a look:
Cuts Keep Growing
The Hare and Her
Hearts, Home Is ...
Redwood Waves
Birds, Birch, Hands
Tea for Birds
Regiment of the Hive
Scottish Deerhound
I'm no art critic -- I confess that I really don't have a clue about
the deeper meaning of Harris's work. But I find it oddly beautiful,
strangely fascinating, and darkly magical.
And though Harris's original paintings, priced from $475 to $1,450,
are just a wee bit out of our budget, I'm happy to report that his
work can be enjoyed in more affordable ways as well:
Harris's mural at Portland's Ace Hotel
Belly of the Bears print, $30 at Tiny Showcase
"Birds of a Letter" Stationery Set, $5
The Wurst Gallery Tote Bag, $20
Pssst -- I also hear that Portland's Office PDX store and gallery has
a few reasonably priced small pieces left from Harris's last show
there. Email the nice folks at Office for more info.
Anatomy of Folklore will be at Johansson Projects through January 5.
Click here to see more of Harris's work.
Posted by Leah at 8:32 AM
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